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Component 2, Artistic Residencies in an Indigenous Village: Time and Manner of Dissemination

Artistic Residencies in an Indigenous Village: establishing a residency programme for non-indigenous artists in the Kuikuro villages of the Xingu indigenous territories (Brazil) and its creative outcomes. 

2.3.1 Multiplicidade Festival, October 2017

Creative Practice Research Output

Reimagining the representation of indigenous performance practices with contemporary cultural institutions, Multiplicidade Festival, October 2017

HERITAGE invited Batman Zavareze (Artistic Director of Multiplicidade Festival, Rio de Janeiro: Brazil’s leading international festival for arts and technology) to join the Kuikuro residency programme. HERITAGE subsequently co-curated a week of workshops, public discussions and performances by 10 Kuikuro artists as part of Multiplicidade: 2017 [Physical audience: 4,545; Online reach: 250,519].

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2.3.1.1 Photo Essay: Multiplicidade Festival

Creative Practice Research Output 

Photo-essay: demonstrating how and where the insights from the research were shared during the Multiplicidade Festival at Oi Futuro Centre for Art and Technology, Rio de Janeiro, October 2017.

2.3.1.2 Multiplicidade Festival Catalogue and LP

Contextual Material (Physical Item) 

Multiplicidade Festival Catalogue and vinyl LP featuring the Kuikuro’s programme, ensuring the work’s reach following the live event.

2.3.2 Reimagining the representation of indigenous cultures and artefacts with museums, 2017-2020.

Creative Practice Research Output

Across the two years of the Kuikuro residency programme, HERITAGE brought museum curators and technologists to the Ipatse Village, exploring Motion-Capture and Virtual, Augmented and Mixed-reality technologies and their capacity to transform the representation of indigenous social, cultural and material practices in museum collections. This has resulted in a number of creative practice research outputs and public exhibitions, produced in collaboration with various galleries and museums.   

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2.3.2.1 TATE Exchange, London, May 2018

Creative Practice Research Output

‘Mapping the Kuikuro Community’, a series of screenings, public discussions and an installation, co-curated by HERITAGE and YAMALUI Kuikuro. [Audience: 1975.]

2.3.2.2 The Horniman Museum and Gardens, December 2018

Creative Practice Research Output

Xingu Village, an immersive installation in partnership with Factum Foundation, A Casa Gringo Cardia, Playground Entertainment and WeSense. Co-curated by HERITAGE and TAKUMàKuikuro, with Gringo Cardia and Clelio de Paula (both artists who participated in the residency programme). [Audience: 212.]

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2.3.2.2.1 Photo Essay, installation at the Horniman Museum

Creative Practice Research Output

Photo-essay: showing creation of the installation and sharing of the research with general public at the Horniman Museum, December 2018. 

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2.3.2.2.2 Xingu Village video installation, Horniman Museum

Creative Practice Research Output

Film of the video installation shared with members of the public at the Horniman Museum, December 2018. 

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2.3.2.2.3 Short film, augmented reality installation, Horniman

Creative Practice Research Output

A short film of the augmented reality installation shared with members of the public at the Horniman Museum, December 2018.

2.3.2.2.4 Independent evaluation

Contextual Material (Physical Item)

‘Evaluation of Xingu Village Experience at the Horniman Museum and Gardens’ (2019): An independent evaluation detailing public engagement with the insights from the research. By Chrissie Tiller. Publicly available on People’s Palace Projects' Website.

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2.3.2.2.5 Press

Contextual Material

A video produced and released by Jornal da Cultura, Brazilian TV news. 04 January 2019. Publicly available on YouTube.

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2.3.2.3 Affirmation Arts Gallery, New York: October 2019

Creative Practice Research Output

‘Amazon Hope’, an immersive installation and public sharing, which included a workshop hosted by Pennywise Foundation. Co-curated and co-designed by HERITAGE, Gringo Cardia and TAKUMÃ Kuikuro. Public sharing also included a workshop hosted by Pennywise Foundation [estimated audience: 210. Livestream: 157].

 

 

 

 

 

 

 

2.3.3 Collaboration with Factum Foundation, 2017-2020

Contextual Material

Reimagining ways of preserving and sharing indigenous cultures through the use of digital capture and materialisation technologies, a collaboration with Factum Foundation, 2017-2020.

HERITAGE invited British digital visual artist Adam Lowe and a team from his company Factum Foundation to participate in the Kuikuro residency programme on two occasions. In collaboration with members of the Kuikuro community they undertook a process of digitally capturing their village, their artefacts, their performance practices as well as the sacred site of the Kamukuwaká cave, which had recently been systematically and purposefully vandalised, the ancient carving chipped away at using a chisel. Whilst the exact assailant is unknown, the attack is similar to many other examples of attempts to delegitimise indigenous claims to their ancestral lands.

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2.3.3.1 Photo-essay of the digital capture and re-materialisation of indigenous material cultures

Contextual Material

Produced by Factum Foundation, with support from HERITAGE. Publicly available from Factum Foundation's website. 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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2.3.3.2 Video documentary of the digital capture and re-materialisation of indigenous material cultures

Contextual Material

Produced by Factum Foundation, with support from HERITAGE. Publicly available from Factum Foundation’s website. 

2.3.3.3 Publication: The Sacred Cave of Kamukuwaká

Contextual Material (Physical Item)

The Sacred Cave of Kamukuwaká: The Preservation of Indigenous Cultures in Brazil (2019). Produced by Factum Foundation, with editorial support from HERITAGE. Publicly available from Factum Foundation’s website. 

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2.3.3.4 Event: ‘Unveiling of the Kamukuwaká Cave’, October 2019

Creative Practice Research Output 

Co-Produced by: HERITAGE, Factum Foundation and AIKAX, Madrid. [Audience: 132] 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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2.3.4 BBC World Service Documentary: Voices of the Amazon (2018)

Contextual Material

Produced by BBC World Service. Publicly available from the BBC website. Facilitator: HERITAGE. [Estimated Audience 44,154.] HERITAGE invited British producer Mark Rickards from the BBC and Professor Jerry Brotton from QMUL to participate in the Kuikuro residency programme.

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2.3.5 BBC World Service promotional film (2018)

Contextual Material

BBC World Service promotional documentary: The Village Hooked on their Phones (2018). Produced by BBC World Service to promote documentary ‘Voices of the Amazon’. Publicly available from the BBC website. Facilitator: HERITAGE.

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2.3.6 Series of Workshops, Lectures and Seminars: hosted in Brazil and the UK (2017–2018)

Research Output 

Hosted in Brazil at the Museum of Tomorrow, Federal University of Rio de Janeiro and in the UK at Queen Mary, University of London and Stour Space between 2017 – 2018, to share insights with research audiences in the UK and Brazil. [Estimated audience: 406.]